British Farce At It's Best

What's it about?

Albert Perkins is blessed with a loving wife, Muriel and cursed with a fearsome mother-in-law, Boadecia.

When his friend Hilary Armitage writes to him reminiscing about the good times they used to have, Boadicea reads the letter and determines to remove her daughter instantly from the clutches of this evil sex-fiend. Albert has a hard time explaining that the letter is perfectly innocent. He isn’t helped when Hilary turns up, wearing a blonde wig and a glamorous evening dress.

Albert’s troubles are far from over. In a weak moment, he agrees to model for a girl student at the local art school, wearing mainly a potted plant. And Hilary, anxious to make amends for the misunderstanding he has caused, offers to deputise for Albert at bell ringing practice at St Humphrey’s. Both these acts of kindness bring disaster in their wake.

Story By:

Norman Robbins

Directed By:

Len Reid - 01425 638565 - lenreid@btopenworld.com

Review of the Show

Pull the Other One is a farce by Norman Robbins, and directed by Len Reid. The set once again with New Forest Players is superb, and the light is just right, the costumes are also good. Len has an excellent cast with this production.  The chase scenes are very good and the timing is very good and the cast must have worked hard to get it just right.

As with all farces there are lots of laughs, witty one-liners, innuendoes and misunderstandings along the way.

Martin Pitman is great in his role of Albert Perkins, and has perfect comic timing as he appears in various clothing or lack of it along the way. His wife Muriel Perkins is played by Anne-Marie Stone, they work well together.

Muriel’s mother Boadicea played by Joy Brown is a force to be reckoned with. She reads a letter to Albert from a Hilary Armitage played by John Donnelly, reminiscing about the good times they had together, and saying ‘she’ is coming to stay, Boadicea assumes the worst and wants to take her daughter away from Albert. He has to explain Hilary is a man which isn’t helped when Hilary turns up at the house wearing a blonde wig and a dress as he has come straight from work as a drag act.

Andrew Simpson is convincible as the Rev. Elijah Nookey and John Langridge plays Wilf Turner a family friend that helps try to convince Boadicea she is wrong about Albert, and they both get caught up in the goings on.

Noda

Albert Perkins is blessed with a loving wife and cursed with a fearsome mother-in-law, Boadicea. When his good friend, Hilary Armitage, writes to him reminiscing about the good times they used to have, Boadicea reads the letter and determines to remove her daughter instantly from his clutches. Albert has a hard time explaining that the letter is perfectly innocent, and anyway, Hilary is a man. He isn’t helped when Hilary turns up, wearing a blonde wig and a glamorous evening dress. By the time Hilary manages to explain he’s come straight from doing his drag act at the local pub, it’s too late! As the plot unfolds, Perkins meets Virginia Brown, a young entrepreneurial artist. In a weak moment, he agrees to be her life model for a local competition, wearing only a potted plant. As you can expect, Albert’s troubles are far from over!

Having been established for almost ninety years, the New Forest Players are no strangers to the world of amateur theatre here in the South and it is clear that they have a very loyal and supportive following. Opening night nerves were evident in places, along with a rather busy prompter, but the play is entertaining, engaging and exciting. The group ensures that there is plenty of laughter, a number of witty one-liners – and plenty of innuendoes for good measure!

Standing out from the cast of seven, Martin Pitman excels in his role as Albert Perkins, bringing perfect comic timing to the play along with a brave appearance in ‘minimal’ clothing. He is strongly supported by Zoe Keith, who plays Virginia Brown with grace and innocence. They complement each other well.

Credit must be awarded to director Len Reid for his clever staging and for the well rehearsed timing of the hilarious chase scene which involves the entire cast – pure comedy gold! He ensures that Norman Robbins’s first farce is a riot from start to finish.

The set is particularly impressive and to have such depth to the stage is a luxury. The costumes and various props nicely evoke the seventies period, along with a staircase and three separate entrances which really add to the chaotic plot. I was informed that the furniture and props were locally sourced and are available to purchase after the final performance this weekend – sadly, I don’t know anyone who is buying a house any time soon!

The diction from the whole cast ensures that every word is heard.

Ryan Bishop, Scene One

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